Nicely written. So much to jump off on here. Firstly, since India is in the southern hemisphere like Brasil & both cultures excel at poly-rhythm, then I would have to say that your assessment of Rich being outclassed by an East Indian is reasonable. East Indian drumming must stretch back 1000 years & that's no joke. As far as Paul Horn's involvement on this set is concerned, I'd say his illegal recording inside the Taj is one of the great, great pieces of renegade art. Just use your imagination. Paul was allowed entry by a guide who managed to gain him entry into the hallowed space, thereby allowing a great work of art to be made. Fantastic!!!
cheeba, nice drop! a friend of mine LOVES this shit 2! I'll pass it on to him (believe it or not, but he has just internet for e-mail, so I'll burn it on a disc for him:-) thanks from me & Ad peace, E-mile
Thanks, J! I totally agree with your Pyramid assessment. I picked it up at a young age because I was into anything Egyptian and it was like a musical B&E record. I've been toying with the idea of posting it here because although the music is available, the multiple issues have different illustrated booklets which I haven't seen out yet. It's a fascinating story in addition to its historical significance.
Funny you mention 1000 years of drumming history (which is conservative considering they covered principles of scale, melody and rhythm in the Rig Veda over 3000 years ago!) since the man who was considered the walking encyclopedia/museum of that entire history of rhythm was in the same room and it was his Dholak that Buddy was using during the session. Talk about under-utilised resources!
Nice! Where I grew up I didn't have much access to Bollywood material and even the classical Indian stuff wasn't voluminous. I have a couple by RD Burman but will definitely search these out. As always, appreciate your guidance!
Very nice description. Recently a friend showed me the original LP and I was stunned. You are right about Buddy, but also A. Rakha shines better in his own element too. There is nothing polyphnic here since all meters are mostly in 3 and 4. I have yet to hear the whole album. Thanks for the write-up.
Just tryin' to put back into the music blogosphere by fillin' in any blanks I can with out-of-print vinyl as well as the occasional mix, remix, re-edit, art or rant. But mostly vinyl. Mostly.
10 comments:
Nicely written. So much to jump off on here. Firstly, since India is in the southern hemisphere like Brasil & both cultures excel at poly-rhythm, then I would have to say that your assessment of Rich being outclassed by an East Indian is reasonable. East Indian drumming must stretch back 1000 years & that's no joke. As far as Paul Horn's involvement on this set is concerned, I'd say his illegal recording inside the Taj is one of the great, great pieces of renegade art. Just use your imagination. Paul was allowed entry by a guide who managed to gain him entry into the hallowed space, thereby allowing a great work of art to be made. Fantastic!!!
cheeba, nice drop!
a friend of mine LOVES this shit 2!
I'll pass it on to him (believe it or not, but he has just internet for e-mail, so I'll burn it on a disc for him:-)
thanks from me & Ad
peace, E-mile
Thanks, J! I totally agree with your Pyramid assessment. I picked it up at a young age because I was into anything Egyptian and it was like a musical B&E record. I've been toying with the idea of posting it here because although the music is available, the multiple issues have different illustrated booklets which I haven't seen out yet. It's a fascinating story in addition to its historical significance.
Funny you mention 1000 years of drumming history (which is conservative considering they covered principles of scale, melody and rhythm in the Rig Veda over 3000 years ago!) since the man who was considered the walking encyclopedia/museum of that entire history of rhythm was in the same room and it was his Dholak that Buddy was using during the session. Talk about under-utilised resources!
You're welcome, E-mile. It don't matter how the love gets spread, as long as it gets spread, right? :)
Cheeba! Some of those Bollywood scores kick like it's no bodies business.
Here's a short list of favs.
R.D. Burman - Kasme Vaade OST [1978]
Rajkamal - Sawan Ko Aane Do OST [1979 EMI] India
Laxmikant-Pyarelal - Sargam OST [1979 EMI]
Laxmikant-Pyarelal - Loafer OST [1972 EMI]
Kalyanji Anandji - Qurbani OST [1978 Polydor]
Any of these will more then prove your point about 3000 years of lineage. For real!
Nice! Where I grew up I didn't have much access to Bollywood material and even the classical Indian stuff wasn't voluminous. I have a couple by RD Burman but will definitely search these out. As always, appreciate your guidance!
D'oh! I missed that one! :)
Thanks tho, J!
Very nice description. Recently a friend showed me the original LP and I was stunned. You are right about Buddy, but also A. Rakha shines better in his own element too. There is nothing polyphnic here since all meters are mostly in 3 and 4. I have yet to hear the whole album. Thanks for the write-up.
The greatest jazz drummer met the greatest percusionnist in the world? What? They've made an album together? No kidding?
Thank you for sharing this!
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